I’m hoping for your advice.
I’ve gotten my script into the hands of readers, and the feedback I’m getting is that they don’t like the ending.
I don’t want to cave to peer pressure and the relentless push toward commercialized crap by grafting on a traditional, clichéd happy ending to my romantic comedy. Not all relationships work out in real life, right?
Some people just aren’t meant to be together. Believe me, I’ve had plenty of experience with this.
Paige, does Hollywood always have to have a happy ending?
On The Edge
Why of course you’re on the edge my friend, and so are your readers!
You’ve built up anticipation, gotten them truly excited and then left them hanging. You may have learned something about how to write a screenplay, but you haven’t mastered delivering the goods.
The Happy Ending is not a cop out. It’s about fulfilling your audience’s expectations!
Frankly, the happy ending isn’t always a happy one, but the one that leaves audiences feeling satisfied. A sad ending can still be a happy ending, if it’s the one that the film has been building to all along.
Genre films in particular, such as your rom-com, create very distinct expectations. These movies are popular for a reason – they take us on a familiar journey. There’s a comfort in knowing what kind of experience we will have when the lights dim. And that’s why specific audiences choose the specific genres that appeal to them. They want to be scared and survive, to experience vicarious thrills, to see the star-crossed lovers kiss, to go on an explosive, high stakes adventure.
In a horror movie, we expect all the kids who had sex to die. In a rom-com, we are rooting for the couple that is meant-to-be to finally get together. In the action flick, we want the bad guy to be served his just desserts. (All the better if the good guy doesn’t have to get his hands dirty in the end. Far better for the bad guy to be “hoist with his own petard.” Why do you think so many villains wind up in a roof-top fight with the hero and tragically fall to their death?)
Your job is to deliver on your audience’s expectations, but in a smart and distinctive way that is unique to your story, your characters, your world and your theme. That’s what makes you a stand out and not a sell out.
So OTE, it sounds to me as if you’re not getting much action yourself these days.
My prescription is to do a little socializing and have some fun. It might be just what the doctor ordered to give you a sunnier outlook and a fresh perspective on your final acts.
Wishing you a happy ending!